
Harvey talks a lot about mental health - whether Elwood's really crazy, whether everyone else is crazy, whether Harvey exists, whether it's right to commit Elwood, whether it's ethical to change his personality to get rid of a single harmless abnormality. It's not what I expect from a movie from that time period. Elwood does seem genuinely sort of off, too. He goes through the same rituals with everyone he meets, he invites perfect strangers to dinner, he wont let people politely put off these invitations, he drinks a lot, he hangs out in the same place all the time. He's just not quite right. Between that and the way the existence of Harvey is treated (and filmed - Harvey is always in the frame, even though there's nothing there), this comes across to me as a very unique movie, especially for the 50's. I'm surprised that it got made then to be honest, and I'm not surprised that it's remembered.
There's also that really creepy portrait of Jimmy Stewart with the rabbit sitting behind him - I think that contributes to this movie's reputation a lot, because something about it gives the rest of the film just a slightly sinister ambiance. I think most would agree with me when I say that Harvey is a terrifying power (Who can stop time) who just happened to align himself with an unassuming man.
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